The present: Today, Wall-E reads less like an ecological fable - although those elements are there, as the film eventually becomes about recolonizing the abandoned Earth - and more like a tale of capitalism run amok. Night Shyamalan (“The Happening”) and Werner Herzog … when the whimsical techies at Pixar and a moody German auteur are sending out the same message, it may be time to pay attention. Scott wrote in his review of Wall-E:Īs the earth heats up, the vanishing of humanity has become something of a hot topic, a preoccupation shared by directors like Steven Spielberg (“A.I.”), Francis Lawrence (“I Am Legend”), M. Things were busted in ways that were starting to become unavoidably clear.Īs New York Times film critic A.O. The economic shock, followed by the endless headlines from our forever wars abroad, helped solidify the notion that the 2000s were a bucket of cold water on the prosperity of the ‘90s.
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Its only near-miss was Cars, a movie that’s merely an “excellent kids movie” and not “transcendent fun for the whole family.” The United States, however, was in the middle of the Great Recession fueled by the subprime mortgage crisis of the years prior. The past: When Wall-E premiered on June 27th, 2008, Pixar was invincible, an animation studio with a near-perfect batting average. ‘Wall-E’ suggests that the act of consumption is the sin Landfills quickly became inadequate, and for every skyscraper in the city, there’s a pile of compacted trash just as big.Īs the movie’s second act begins, we learn what happened to humanity: world leaders, overwhelmed by a planet filled and surrounded by junk - Wall-E’s first shot is a galactic zoom-in on Earth, surrounded by a thick cloud of space debris - decided the only tenable solution was to load up in space barges subsidized by a big-box retailer, Buy-N-Large, where humanity has spent the last 700 years becoming fat, screen-obsessed vessels of pure consumption. The excesses of humanity have led to too much garbage. As Wall-E wanders a derelict city, collecting trinkets of humanity we left behind, we slowly learn what went wrong. The first third of Pixar’s ninth film is among the best 30-minute stretches of cinema the studio has ever produced: a mostly silent experience where Wall-E, a cute trash-compacting robot, introduces us to an abandoned Earth. The future: In Wall-E, waste is what does us in. In Yesterday’s Future, we revisit a movie about the future and consider the things it tells us about today, tomorrow, and yesterday. The Verge is a place where you can consider the future.
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